Maria Gebhardt

Maria loves the theatre. She loves looking at plays from a different point of view and to invent plays in a new way and to take a different turn on it. She loves new writing as well as well-known plays, classics and all sorts of other plays. She loves to work with people of all kinds, young and old.
Her interests are especially in science fiction, adventurous theatre and stories that won't keep you in your seat. Nothing is too weird, nothing too funny, nothing too scary and nothing too heartbreaking.

Credits

Theatre:
–ASSISTANT DIRECTOR, “Eventide”/ Questors Theatre, 8 performances 2018
– DIRECTOR “You have absolutely no sense of time” / Questors Theatre, 3 Perf. (2018)
– ASSISTANT DIRECTOR „Table Manners “/3 Performances, Ickenham Town Hall 2019
– ASSISTANT DIRECTOR „King Charles III“ Questors Theatre / 8 Perf. Questors Theatre 2019
– DIRECTOR & PRODUCER “You Have Absolutely No Sense of Time” / 6 Perf. Hen and Chickens Theatre 2019. CAMDEN FRINGE
– DIRECTOR & SET DESIGNER “The Importance of Being Earnest”/ 4 Perf. Compass Theatre 2019
- ASSISTANT DIRECTOR "Robin Hood-The Panto"/ 4 Perf. Winston Churchill Theatre 2020
– ASSOCIATE DIRECTOR “Strange Orchestra” /8 Perf. Questors Theatre 2020
– ASSISTANT DIRECTOR “The Browning Version”,”Playgoers” / 8 Perf. Questors Theatre 2020
– DIRECTOR & WRITER“The Day I fought the Monster” Argosy Lockdown Zoom Night / 1 Perf. 2020
– DIRECTOR; PRODUCER; ACTOR;WRITER"Black Box Friend’s Zoom Night”/ 1 Perf. 2020

Film/TV/Video:
- DIRECTOR “Cuckolding Cara” / London Screenwriters Festival; Table read
- DIRECTOR; CAMERA; EDIT “It was Funny the First Time”/ Questors Scenes in Solitude 2020

Please find further Acting Roles in my CV

Training

- Questors Academy (equals Associate of Performing
- Arts/Foundation Degree) (2018)
Shaw Academy Diploma in Video (Distinction) (2020)

 Training includes:
• Berlin: STAGE (2014) (musical theatre); schauspielRAUM (acting) (2015); schauspielfabrik (acting) (2016)
• London: City Academy (singing) (2016); Questors Academy (musical theatre, improvisation) (2016/17); Royal Central School of Speech and Drama (acting) (2017); Introduction into Production (2019)