Rosie Bowden

I'm Rosie (she/her), a theatre maker based in the North East. I am interested in making joyous, unapologetic work that is suitable for all ages - the kind of work that brightens a day!

Credits

Assistant director/Romeo and Juliet, Theatre Space North East at 1719/4 performances, 2023

Stage manager/Father Unknown, Durham Gala and Northern Stage/3 performances, 2023

Director/Where did all the magpies go?, The Customs House /2 performances, 2023

Director/Soapbox Racer, Alphabetti Theatre/18 performances, 2023

Stage manager/Grimm, The Barge and Docks Beers/3 performances, 2023

Dresser and followspot/The Adventures of Robin Hood in Cooksonville, The Customs House/6 performances, 2022

Director and Technical Operator/More Blacks, More Dogs, More Irish, Alphabetti Theatre/18 performances, 2022

Assistant director and Stage Manager/Nativity! The Musical, Whitley Bay Playhouse/4 performances, 2022

Assistant director/The Wasp, The Customs House/6 performances, 2022

Costume/Hamlet and Love Labour's Lost, Theatre Space North East/7 performances, 2022

Director and writer/Head Girl, The Central Bar, Laurels, Durham Fringe, Edinburgh Fringe Festival/22 performances, 2022

Co-director/Head Girl, Live Theatre Elevator Festival/1 performance, 2022

Assistant director/The World Behind Closed Eyes, Live Youth Theatre/ 2 performances 2022

Assistant Stage Manager and Sound No.2/Sleeping Beauty, Tyne Theatre and Opera House/56 performances, 2021

Prop maker/Rapunzel, Customs House, 80+ performances, 2021

Stage manager/Joseph and his technicolour Dreamcoat, Whitley Bay Playhouse/two performances, 2021

Assistant Director/Mystic Megan, Central Bar/one performance, 2021

Director/Rect.ify, Alphabetti Theatre/three performances, 2021

Presenter, director/Monologue night, Drama studio/One performance/2019

Writer, Director/Christmas Showcase, Drama studio/One performance//2019

Training

Project A Actor Training Company, 2020-2021.
Incl workshops with Michael Corbidge, Laura Lindow, Ros Steen, BalletLorent.

Attending a week-long directing course at the Live Theatre with Joe Douglas, and also watched a rehearsal for his production of Clear White Light.
Also attended a directing workshop with Hannah Banister from Shandyland at the Northern Stage.
Attended a week-long course at the Cours Florent school in Paris and have been offered a place to study Acting in English there for three years.