Nazan L. Bamio

I studied stage direction in Madrid but, I have also worked as executive producer for different festivals and companies. So that, I think that gives me a holistic vision of theatre that could be a really good point to be an assistant director and director.
In Madrid I have my own company. We debuted with two plays there. But I have also worked for other companies which were looking for a stage director.
I came to London to improve my knowledge about staging and I'm so interested in working as an assistant director or director and taking place on some rehearsals.

Credits

DIRECTOR, The other, RESAD (Spanish theatre academy), 4 days, 2014
DIRECTOR, Numancia, RESAD (Spanish theatre academy), 2 days, 2014
DIRECTOR, The Oedipus flight, Sala Trovador (Madrid), 2 months, 2014
DIRECTOR, The breasts of Tiresias, RESAD (Spanish theatre academy), 4 days, 2015
DIRECTOR, The paradox garden, RESAD (Spanish theatre academy), 4 days, 2015
DIRECTOR, The scorpion's glance, Sala Trovador (Madrid), 1 month, 2015
ASSISTANT STAGE MANAGER, La fiesta escénica, Teatro Circo Price (Madrid), 2 month
DIRECTOR, #ElCasting, Sala Bululú 2120/Teatro Arlequín/Teatro Quevedo (Madrid), 7 months, 2017
ASSISTANT DIRECTOR, Magic Robin Hood, Resort Magic Robin Hood (Benidorm), still running, 2017
DIRECTOR, Get out of my dreams, Guindalera (Madrid), 3 days, 2019

Training

BEYOND THE DIALOGUE by José Sanchís Sinisterra y Antonio Sansano (2016)
TOWARDS THE BEAUTY by Carlota Ferrer (2016)