Vanessa Mildenberg

I focus on creating multi/cross disciplinary, international work that’s both physical and text based. I am lucky to often do so in collaboration with artists from other specialist backgrounds than mine; collaborations that challenge perspective and feed the imagination.

Credits

Director:

As grand as what - visual digital art with Hylozoic / Desires - under completion
C'est une Bug - Centre du Creation
The Forgotten Gift Resolutions at The Place
The Women of Troy, Seeler Theatre, Middlebury, USA
The Winter's Tale Project,The Robin Howard Theatre at the Place
After Mrs Rochester, Wright Theatre, Middlebury, USA
I'll Use That Tongue I Have, Chisenhale Dance Space
La Ronde, Jermyn Street
Jam Jar, Floodtide
Across The Divide, Floodtide
She, Oval House,
The Pillars of Society for LCTS
Our Country's Good for LCTS
The Night Before Christmas, The Bridewell
Anna Karenina for London Metropolitan University

Producer:
Producer, Winter's Tale Project, The Place
Producer, I'll Use That Tongue I Have
Producer, UK Premiere of Crossing (Reza De Wet) Riverside Studios
Producer and assistant director, The Night Before Christmas (Anthony Neilson)
For Old Vic New Voices:
1588 Annus Horribilis (Lizzie Hopley)
Colonel Pupkis Goes for a Stroll (Jake Broder)
Adam (Joshua Sobol)
Just You and Me (Sibusiso Mamba)
R&D and presentations of work by Jeff Lewis, Neil D'Souza, and Polly Wiseman and Pam Gems.

Physical Theatre/Movements Direction:

The Joy and Sadness of Being, Jacksons Lane - collaboration with Maisy Luk
Open Space, Mountview Academy
An Avalanche of Subtlety at Pi Artworks London, Performance Art Collaboration with Himali Singh Soin
All's Well That Ends Well, RADA, Toby Frow
Tethered, Theatre 503, Jackie Kane
Die Fledermaus, Orchestra of St Paul's, Covent Garden
Bel Ami, Ruby in the Dust, White Bear
Cider with Rosie, Theatre Royal Bury St Edmunds, Abigail Anderson
Twelfth Night, Jumpers, Lysistrata, Cabaret, Five (5) Hysterical Girls Theorem Middlebury USA,
The Better Deal (Musical), Rosemary Branch, Etc, Barons Court
Lucifer Saved , Finborough Theatre, Rueben Grove
Hamlet, Metta Theatre, Poppy Burton-Morgan
Isle of Joy, Tristan Bates/Operating Theatre, Ken Christensen
Das Tier, Berlin, E'burgh, Nicola Dee
412 Letters, Union Theatre, Jacqui Somerville
Ophelia’s Song, LMU & Teatro Abarico Jacek Scarso
Bewitched, Kennedy Center, DC, Romagnoli, (ACTF*)
Weave, Problems and Mysteries LMU, Lasseur & Hogan
One Glass Wall, Theatre 503, Crispin Bonham Carter
Forbidden, C Venue, Jacqui Somerville
Black Aspirin, White Bear
Lucretia Borgia, New Arts, Jacqui Somerville
Sabina, Theatre 503, Mia Lipschitz
Stella Luna, Children’s Theatre of Maine
Bambiha & Use Me As Your Cardigan, Jackson Lane, Mia Lipschitz
Dick Whittington, Arcola, Sarah Chew
Pride and Prejudice, Children’s Theatre
Pains of Youth, The Maid’s Tale, RADA, Greg de Polnay
The Captain’s Tiger, Orange Tree, Auriol Smith
Le Lettre de Mon Moulin, Comenius, Avignon, Private Lives European TC, Philip Ayckbourn
Ghost Letters, Brompton Cemetery, Nicola Dee
Vesuvius, Etcetera, Mark Currie
My Life in Art, Etcetera, Candice Joyce
Merchant of Venice, RADA, Tim Hardy
Tin Soldier, Etcetera, E'burgh Fest., Candice Joyce
Children in Uniform, BAC, Sean O’Connor
Miss Julie, Sorte Hest, Brenda Harrington
Where There’s a Will, Phantom of the Musical, Copenhagen, Lars Kaaber
Crazy Christmas Cabaret, London Toast, Vivienne McKee

Training

RADA BA
Conservatoire of Dance and Drama MPhil
Trained in/with
Laban
Shakespeare
Catherine Fitzmaurice
Company of Wolves
Period movement & Dance
Viewpoints
Cross Disciplinary
Breathworks