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Anna-Maria Woodrow

Sound Designer Composer Writer

I set words to music and noises, the stranger the better. I use cello, guitars, synths (analogue and digital), tape machines, household objects and my voice. I want to make music for your production!

Credits

Sound Technician, Cambridge Comedy Fringe, 1 week, 2024
Sound Designer / Writer / Actor, 'Minnesota Forever' Weather Incoming (episode 1), 2023
Light, Sound and Video Technician, Tamsyn Kelly: Crying in TK Maxx, Pleasance Courtyard, 4 weeks (Edinburgh Fringe 2023)
Sound Designer, Footlights: Leftovers, TheSpace, 4 weeks (Edinburgh Fringe 2023)
Composer / Sound Designer, Hamlet, Cambridge University European Theatre Group Tour, 4 weeks, 2022-23
Sound Designer, Scary Old World, ADC Theatre, 1 week, 2022
Sound Designer / Script Editor, The Coven, TheSpace, 2 weeks (Edinburgh Fringe 2022)
Sound Designer / Assistant Director, How To Burn a Million Quid, Pembroke New Cellars, 1 week, 2022
Director / Bard / Composer, Unsoiled, Corpus Playroom, 1 week, 2022
Composer / Sound Designer, The Balloonist Masterplan: Forgotten Lives (radio), ADC Online, 2021
Sound Designer, Co-Composer, The Backwards People (radio), ADC Online, 2021
Sound Technician, As You Like It, Fitzwilliam Museum, 2 weeks, 2021
Sound Designer, Top Girls, ADC Theatre, 1 week, 2021
Sound Designer, No Quarter, ADC Theatre, 1 week, 2021
Sound Designer, Almost Romeo and Juliet, ADC Theatre, 1 week, 2021

Location

London

Experience

2-5 years

Art forms / Disciplines

  • Film - documentary
  • Film - feature
  • Film - short
  • Literature
  • Live art
  • Multi-disciplinary / cross art form
  • Music
  • Radio/Audio
  • Theatre / Live perfomance
  • TV - documentary
  • TV - drama

What I do

  • Music - Can learn by ear
  • Music - Can Read
  • Music - Plays Instruments
  • Music - Singing
  • Music Composition
  • Performing
  • Sound Design
  • Working with young people
  • Writing

Additional Languages

Portuguese